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Prispevki za novejšo zgodovino
Jazz in Slovenia as a Subculture
Author(s):Marta Rendla
Co-author(s):Zdenko Čepič (odg. ur.)
Leto:2008
Publisher(s):Inštitut za novejšo zgodovino, Ljubljana
Language(s):slovenščina
Type(s) of material:text
Keywords:Slovenija, glasba, džez, Plesni orkester Radia Ljubljana, alternativa, Quatebriga, Slovenia, music, jazz, Radio Ljubljana Dance Orchestra, alternative scene, "Quatebriga"
Rights:
This work by Marta Rendla is licensed under Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International
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Description
The author focuses on the development of jazz in Slovenia. She presents it ever since its
beginnings between the World Wars, when the musicians have not even played real jazz yet
despite the name, through the period after World War II, when jazz as a new musical
direction in the true meaning of the word started out relatively early in our territory with the
establishment of the Plesni orkester Radia Ljubljana (Radio Ljubljana Dance Orchestra),
developed in accordance with the Western (American) example and transcended the field of
an alternative subculture, becoming an established artistic form in the 1960s, and then
returned to the world of popular music with the establishment of the "Young Jazz Scene" by
the younger generation of musicians, especially the group "Quatebriga" from Ljubljana as a
representative of the most original contemporary improvised music lineups of the 1980s.
Metadata (12)
- identifierhttps://hdl.handle.net/11686/7009
- title
- Džez v Sloveniji kot subkultura
- Jazz in Slovenia as a Subculture
- creator
- Marta Rendla
- contributor
- Zdenko Čepič (odg. ur.)
- subject
- Slovenija
- glasba
- džez
- Plesni orkester Radia Ljubljana
- alternativa
- Quatebriga
- Slovenia
- music
- jazz
- Radio Ljubljana Dance Orchestra
- alternative scene
- "Quatebriga"
- description
- The author focuses on the development of jazz in Slovenia. She presents it ever since its beginnings between the World Wars, when the musicians have not even played real jazz yet despite the name, through the period after World War II, when jazz as a new musical direction in the true meaning of the word started out relatively early in our territory with the establishment of the Plesni orkester Radia Ljubljana (Radio Ljubljana Dance Orchestra), developed in accordance with the Western (American) example and transcended the field of an alternative subculture, becoming an established artistic form in the 1960s, and then returned to the world of popular music with the establishment of the "Young Jazz Scene" by the younger generation of musicians, especially the group "Quatebriga" from Ljubljana as a representative of the most original contemporary improvised music lineups of the 1980s.
- Avtorica obravnava razvoj džezovske glasbene zvrsti v slovenskem prostoru. Razvoj slovenskega džeza predstavi vse od začetkov vraščanja le-tega v času med svetovnima vojnama, ko glasbeniki kljub takemu imenu pravega džeza še niso igrali, prek obdobja po drugi svetovni vojni, ko džez v pravem pomenu besede kot nova glasbena smer razmeroma zgodaj požene na naših tleh z ustanovitvijo Plesnega orkestra Radia Ljubljana, se po zahodnem ameriškem vzorcu razvija in preide v šestdesetih letih 20. stoletja iz polja alternativne subkulture v etablirano umetniško zvrst, pa vse do ponovne vrnitve džeza v svet popularne glasbe z vzpostavitvijo "mladodžezovske scene" mlajše generacije glasbenikov, še zlasti s delovanjem ljubljanske skupine Quatebriga kot predstavnice najizvirnejšega komornega sestava sodobne improvizirane glasbe v osemdesetih letih prejšnjega stoletja.
- publisher
- Inštitut za novejšo zgodovino
- date
- 2008
- type
- besedilo
- language
- Slovenščina
- isPartOf
- rights
- license: ccByNcNd
Seznam literature v delu (13)
| Stran | Avtor | Naslov | Vir | Kraj | Založba | Leto |
|---|---|---|---|---|---|---|
| 162 | Amalietti, Peter | Peter Amalietti: Zgodbe o jazzu | Ljubljana | 1986 | ||
| 163 | Skale, Aleksander | Zlati jubilej | Nedeljski dnevnik | 2024 | ||
| 164 | Tomc, Gregor | Glasbena in plesna dejavnost | Kulturna politika v Sloveniji | Ljubljana | 1997 | |
| 166 | Tomc, Gregor | Alternativna in eksperimentalna dejavnost | Kulturna politika v Sloveniji | Ljubljana | 1997 | |
| 166 | Zrnec, Primož | Sprehod skozi štiri desetletja blejskih in ljubljanskih jazzovskih festivalov : diplomska naloga | Ljubljana | 2000 | ||
| 168 | Wimmer, Michael | Tako imenovana alternativna kultura kot politična avantgarda | Kulturna politika v Sloveniji | Ljubljana | 1997 | |
| 168 | Repe, Božo | Trenja in vrenja | Slovenska Kronika XX. stoletja 1941–1992 | Ljubljana | 1997 | |
| 168 | Repe, Božo | Alternativna subkultura | Slovenska Kronika XX. stoletja 1941–1992 | Ljubljana | 1997 | |
| 168 | Vurnik, Blaž | Med Marxom in punkom : Vloga Zveze socialistične mladine Slovenije pri demokratizaciji Slovenije (1980–1990) | Ljubljana | 2005 | ||
| 169 | Amalietti, Peter | Še vedno zanimivi Quatebriga | Stop | 2007 | ||
| 169 | Komelj, Milček | Equrna | Slovenska kronika XX. stoletja 1941–1992 | Ljubljana | 1997 | |
| 169 | Derkleva, Milan | Še kukombriga | Dnevnik | 1991 | ||
| 171 | Dekleva, Milan | Kope dol pred Quatebriga | Dnevnik | 2044 |