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Kronika: časopis za slovensko krajevno zgodovino
Peculiarities and Challenges in Organizing the Photographic Fond of Marjan Ciglič. A Case of Systematic Organization of the Fond Based on a Specific Example
This work by Monika Močnik is licensed under Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International
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Description
The aim of the article is to provide a detailed presentation of the systematic organization and research on Marjan Ciglič’s photographic fond, with an emphasis on its peculiarities and a specific case—the Skopje earthquake of 1963. Marjan Ciglič is considered to be the pioneer of documenting and keeping original negatives, with his work method serving as the benchmark for systematic organizing and professional handling of photographic fonds, which essentially encompasses physical ordering, research, making and maintaining an inventory, documenting, digitization, as well as feeding photos and data into the document management system, and so on. Ciglič’s photographic opus is kept in Fototeka, the photo archives of the National Museum of Contemporary History of Slovenia, as part of the largest national collection holding over three million photographs on different media.
Metadata (13)
- identifierhttps://hdl.handle.net/11686/66288
- title
- Posebnosti in izzivi pri delu s fotografskim fondom Marjana Cigliča - primer raziskovanja fonda s poudarkom na potresu v Skopju leta 1963
- Peculiarities and Challenges in Organizing the Photographic Fond of Marjan Ciglič. A Case of Systematic Organization of the Fond Based on a Specific Example
- creator
- Monika Močnik
- contributor
- Miha Preinfalk (odg. ur.)
- Barbara Šterbenc Svetina (teh. ur.)
- Manca Gašperšič (prev.)
- Rok Janežič (lekt.)
- subject
- Marjan Ciglič
- potres
- Skopje
- fotoreporter
- fotografski fond
- raziskovanje
- sistematično urejanje
- Marjan Ciglič
- photojournalist
- photographic fond
- systematic organizing
- Fototeka—photo archives
- museum
- description
- Namen članka je podrobnejši prikaz raziskovalnega dela s fotografskim fondom Marjana Cigliča s poudarkom na specifičnem primeru – potresu v Skopju leta 1963. Marjan Ciglič velja za pionirja dokumentiranja in shranjevanja originalnih negativov, njegov način dela pa služi kot osnova za sistematično urejanje fonda in njegovo strokovno obdelavo, ki zajema fizično urejanje, raziskovanje, inventarizacijo, dopolnjevanje dokumentacije, digitalizacijo, vnos posnetkov in podatkov v dokumentni sistem idr. Cigličev fotografski opus hranijo v fototeki Muzeja novejše in sodobne zgodovine Slovenije ter je del največje nacionalne fotografske zbirke, v kateri je več kot 3 milijone fotografij na različnih nosilcih.
- The aim of the article is to provide a detailed presentation of the systematic organization and research on Marjan Ciglič’s photographic fond, with an emphasis on its peculiarities and a specific case—the Skopje earthquake of 1963. Marjan Ciglič is considered to be the pioneer of documenting and keeping original negatives, with his work method serving as the benchmark for systematic organizing and professional handling of photographic fonds, which essentially encompasses physical ordering, research, making and maintaining an inventory, documenting, digitization, as well as feeding photos and data into the document management system, and so on. Ciglič’s photographic opus is kept in Fototeka, the photo archives of the National Museum of Contemporary History of Slovenia, as part of the largest national collection holding over three million photographs on different media.
- publisher
- Zveza zgodovinskih društev Slovenije
- date
- 11. 2024
- type
- besedilo
- identifier
- identifier: COBISS.SI-ID: 222926339
- language
- Slovenščina
- Angleščina
- isPartOf
- rights
- license: ccByNcSa