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Kronika: časopis za slovensko krajevno zgodovino

Photography 1914–1918: Between Technology, Propaganda, and Personal Experience


Author(s):Marko Štepec
Co-author(s):Miha Preinfalk (odg. ur.), Barbara Šterbenc Svetina (teh. ur.), Manca Gašperšič (prev.), Rok Janežič (lekt.)
Leto:11. 2024
Publisher(s):Zveza zgodovinskih društev Slovenije, Ljubljana
Language(s):slovenščina, angleščina
Type(s) of material:text
Identifier:COBISS.SI-ID: 218603523
Rights:
CC license

This work by Marko Štepec is licensed under Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International

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Description

With many professional and amateur photographers among the multitude of soldiers enlisted in the First World War, the latter was the first major armed conflict to be extensively photographed. The article presents the characteristic features of Slovenian war photography between 1914 and 1918 as well as discusses different uses of photography, which already became widespread before the war due to the advances in technology and the printing industry. In terms of its distinctive motifs, photography of the war period followed, improved, and changed the prewar examples. Even though it was used for the purposes of war propaganda and subject to censorship, it also provides a poignant insight into the personal experience of war, thus helping official and amateur photographers to preserve the memory of the traumatic ordeal and make sense of it. The period of war also witnessed the development of various technical uses of photography, including aerial photography. Due to its multifaceted nature, photography now constitutes an important source for researching and understanding war.

Metadata (13)
  • identifierhttps://hdl.handle.net/11686/66282
    • title
      • Fotografija 1914-1918
      • Med tehniko, propagando in osebno izkušnjo
      • Photography 1914–1918: Between Technology, Propaganda, and Personal Experience
    • creator
      • Marko Štepec
    • contributor
      • Miha Preinfalk (odg. ur.)
      • Barbara Šterbenc Svetina (teh. ur.)
      • Manca Gašperšič (prev.)
      • Rok Janežič (lekt.)
    • subject
      • prva svetovna vojna
      • fotografija
      • zgodovina fotografije
      • propaganda
      • First World War
      • photography
      • history of photography
      • propaganda
    • description
      • V množici vpoklicanih vojakov v prvi svetovni vojni so bili številni poklicni in ljubiteljski fotografi. Prva svetovna vojna je bila tako prva vojna, ki so jo res množično fotografirali. V prispevku so predstavljene značilnosti slovenske vojne fotografije med letoma 1914 in 1918. Obravnavani so različni načini uporabe fotografije, ki je na podlagi tehničnega in tiskarskega razvoja že pred vojno doživela množično razširjenost. Fotografije vojnega obdobja so motivno sledile predvojnim vzorcem, jih nadgrajevale in spreminjale. Uporabljene so bile v vojni propagandi in podvržene cenzuri, obenem pa lahko v njih prepoznamo osebne vojne izkušnje, ki so uradnim in ljubiteljskim fotografom pomagale ohraniti spomin in osmisliti travme preživetega. V času vojne so se razvili tudi različni načini tehnične uporabe fotografije, med njimi aerofotografija. V vsej svoji večplastnosti je danes fotografija pomemben vir za raziskovanje in razumevanje vojne.
      • With many professional and amateur photographers among the multitude of soldiers enlisted in the First World War, the latter was the first major armed conflict to be extensively photographed. The article presents the characteristic features of Slovenian war photography between 1914 and 1918 as well as discusses different uses of photography, which already became widespread before the war due to the advances in technology and the printing industry. In terms of its distinctive motifs, photography of the war period followed, improved, and changed the prewar examples. Even though it was used for the purposes of war propaganda and subject to censorship, it also provides a poignant insight into the personal experience of war, thus helping official and amateur photographers to preserve the memory of the traumatic ordeal and make sense of it. The period of war also witnessed the development of various technical uses of photography, including aerial photography. Due to its multifaceted nature, photography now constitutes an important source for researching and understanding war.
    • publisher
      • Zveza zgodovinskih društev Slovenije
    • date
      • 11. 2024
    • type
      • besedilo
    • identifier
      • identifier: COBISS.SI-ID: 218603523
    • language
      • Slovenščina
      • Angleščina
    • isPartOf
    • rights
      • license: ccByNcSa