The collection of statues at Brdo, particularly in its park, is a most complex presentation of open-air sculpturing in the late fifties and sixties in Slovenia. The reflection of the socialistic philosophy and the interlacement of the pre- and after-war art trends are a document of worshiping of the imminent history, particularly the NOB, and additional recollection of Marshal Tito by a full-figure portrait by Antun Augustinčić. Similar is valid for the sculptural decoration of the manor. Its decoration is variegated and frequently unbalanced as it reaches from historical periods from the beginning of the 20th century to abstract art of the sixties. With the names: Ivan Zajec, Ivan Napotnik, Tine Kos, Frane Kršinić, Boris Kalin, Grga Antunac, Vanja Radauš, Frančišek Smerdu, Karel Putrih, Zdenko Kalin, Stojan Batič, and with their less known colleagues and their sculptures it forms an interesting entirety and is one of rare collections of sculptures originating from the middle of the previous century, preserved outside galleries.