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Slovene Documentaries in the Light of Politics and Propaganda from 1945 to 1950


Co-author(s):Matevž Košir (ur.)
Leto:1999
Publisher(s):Arhivsko društvo Slovenije, Ljubljana
Language(s):slovenščina
Type(s) of material:text
Rights:
CC license

This work by Tatjana Rezec Stibilj is licensed under Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International

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In the period between WWI and WWII, only a few select individuals were engaged in film-making in Slovenia. The most prominent amongst these were Veličan Bester, Metod Badjura, Božidar Jakac and Josip Pogačnik. Most of the documentary footage made during the National Liberation War was captured on film by the partisans. The Department for Cinematography was founded already before the end of the war within the framework of the Educational Department of the Slovene National Liberation Council and marked the beginning of post-war cinematography in Slovenia. Upon liberation, cinematography in Slovenia experienced a boom, which culminated in the founding of the state-owned movie production company of "Triglavfilm" in August 1946. This company was charged with the production of feature films, documentaries, cultural programmes and the weekly current affairs programme "Obzornik". Carrying out the five-year plan prescribed by the government coupled with the ever increasing ideological demands placed upon the documentary films by the socialist system, was particularly trying for the film industry. An added strain was also the introduction of the socialist system of self-management, which brought an extensive reorganisation in its wake - also in the field of cinematography.
Metadata (12)
  • identifierhttps://hdl.handle.net/11686/10207
    • title
      • Slovenski dokumentarni film skozi politiko, z vidika propagande v letih 1945-1950
      • Slovene Documentaries in the Light of Politics and Propaganda from 1945 to 1950
    • creator
      • Tatjana Rezec Stibilj
    • contributor
      • Matevž Košir (ur.)
    • subject
      • slovenski film
      • dokumentarni film
      • kulturna politika
      • Triglavfilm
      • film
      • documentaries
      • Slovenia
      • 1945-1950
    • description
      • In the period between WWI and WWII, only a few select individuals were engaged in film-making in Slovenia. The most prominent amongst these were Veličan Bester, Metod Badjura, Božidar Jakac and Josip Pogačnik. Most of the documentary footage made during the National Liberation War was captured on film by the partisans. The Department for Cinematography was founded already before the end of the war within the framework of the Educational Department of the Slovene National Liberation Council and marked the beginning of post-war cinematography in Slovenia. Upon liberation, cinematography in Slovenia experienced a boom, which culminated in the founding of the state-owned movie production company of "Triglavfilm" in August 1946. This company was charged with the production of feature films, documentaries, cultural programmes and the weekly current affairs programme "Obzornik". Carrying out the five-year plan prescribed by the government coupled with the ever increasing ideological demands placed upon the documentary films by the socialist system, was particularly trying for the film industry. An added strain was also the introduction of the socialist system of self-management, which brought an extensive reorganisation in its wake - also in the field of cinematography.
      • Na Slovenskem so se med obema vojnama s filmskim snemanjem ukvarjali le redki posamezniki, med njimi najpomembneje Veličan Bester, Metod Badjura, Božidar Jakac in Josip Pogačnik. Med NOB so večino dokumentarnega filmskega gradiva na Slovenskem posneli partizanski snemalci. Že pred koncem vojne so z ustanovitvijo Oddelka za kinematografijo v okviru Prosvetnega odseka SNOS nastali prvi organizacijski zametki povojne slovenske kinematografije. Po osvoboditvi je nagel razvoj privedel do ustanovitve državnega podjetja za proizvodnjo filmov "Triglavfilm". To podjetje je bilo, zadolženo za proizvodnjo umetniških, dokumentarnih in kulturnih filmov ter Blmskega Obzornika. Posebne napore je od filmske proizvodnje zahteval petletni plan. Vedno večje zahteve, zlasti po ideološki plati, je pred dokumentarni film postavljal socialistični družbeni sistem. Uvedba socialističnega samoupravljanja pa je privedla do širših organizacijskih sprememb na področju slovenske kinematografije.
    • publisher
      • Arhivsko društvo Slovenije
    • date
      • 1999
    • type
      • besedilo
    • language
      • Slovenščina
    • isPartOf
    • rights
      • license: ccByNcNd